{"id":2751,"date":"2024-09-25T17:20:21","date_gmt":"2024-09-25T17:20:21","guid":{"rendered":"https:\/\/test.newberry.org\/indigenous-chicago\/?p=2751"},"modified":"2024-09-25T17:35:18","modified_gmt":"2024-09-25T17:35:18","slug":"a-conversation-with-comic-book-artist-jim-terry","status":"publish","type":"post","link":"https:\/\/test.newberry.org\/indigenous-chicago\/a-conversation-with-comic-book-artist-jim-terry\/","title":{"rendered":"A Conversation with Comic Book Artist Jim Terry"},"content":{"rendered":"\t\t
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A Conversation with Comic Book Artist Jim Terry<\/b><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Paper Cuts (2024) by Jim Terry<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jim Terry (Ho-Chunk) is a Chicago comic book artist whose memoir\u00a0Come Home, Indio<\/em>\u00a0was a finalist for the LA Times Book Prize. Jim recently was an artist-in-residence at the Newberry, and his new graphic novel,\u00a0Paper Cuts<\/em>, commissioned for\u00a0Indigenous Chicago<\/em>, reflects his personal journey through the library\u2019s collections and its vast holdings in American Indian and Indigenous Studies. He joined the Newberry Library for a Q&A.<\/p>

\u00a0<\/p>

Newberry Library:<\/strong>\u00a0Did you have much research experience before coming to the Newberry?<\/p>

\u00a0<\/p>

Jim Terry:<\/strong>\u00a0I\u2019ve never been a researcher, most of my storytelling is fantastical. I am interested in history and read on my own quite a bit. Being a reader is different than being a researcher – I would get engrossed and spend half a day reading something that had nothing to do with why I was there.<\/p>

I never had an experience like this residency. Even in school, I was really bad in taking the time to dig deep. As I got older, I was really interested in what was happening and had to teach myself along the way how to weed through this stuff.<\/p>

\u00a0<\/p>

NL:<\/strong>\u00a0There\u2019s a section of the book where you reflect on the research experience at the Newberry and all the emotions including frustration that it caused. Can you talk about your experience with the collections?<\/p>

\u00a0<\/p>

JT:<\/strong>\u00a0I\u2019m a big horror movie buff and love spooky things. [When I arrived at the Newberry] I thought I\u2019d read all about different legends and supernatural stories, and I realized that was too difficult to find. The stories, without them being explained, come off as really obtuse a lot of times. I had to re-direct myself a month or two in and decided I\u2019m just going to read about Ho-Chunks because I didn\u2019t know enough about my own people.<\/p>

I started reading more, and it was overwhelming. One was the strange way much of it was presented, you start to wonder who is telling the story and what are their motives. Sometimes the author\u2019s voice would seep in and their beliefs and how they felt about Natives were sometimes… not great. Other times they were well-intentioned but kind of cringey. That started to get to me. I began to look at the city and my place in it, and there were realizations that made me so angry, I couldn’t put them in [Paper Cuts<\/em>].<\/p>

I spoke with someone around that time who was buying land in Wisconsin, just for a place “to get away.” I had a visceral reaction because that\u2019s where my people are from, and we were kicked off of [the land]. That\u2019s not something that non-Native people think about, a connection to this land, and it\u2019s hard to explain without seeming like a real drag. But three or four generations ago, we were living there, that\u2019s where we are from.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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A page from Jim Terry's Paper Cuts.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NL:<\/strong>\u00a0You mentioned not knowing about your people. Were you in touch with your Native heritage as a young person?<\/p>

\u00a0<\/p>

JT:<\/strong>\u00a0It came later. The culture has been handicapped by the colonial thing. My grandmother was in a residential school where she was taught to be Catholic. My mother went to a similar school. We weren\u2019t taught the traditional ways, we were taught to survive in this world. It wasn\u2019t until my late 20s that I started reading about my people and becoming more involved in any way. I started looking at it as something not to be ashamed of, not to hide. When I was growing up, it was something not to talk about because you didn\u2019t want to… suffer.<\/p>

\u00a0<\/p>

NL:<\/strong>\u00a0There\u2019s a section of the book where you go back to Wisconsin to re-visit an area of the Dells that you\u2019d visited in childhood. It seems your perspective of that area has evolved quite a bit through the years. Can you tell us about that?<\/p>

\u00a0<\/p>

JT:<\/strong>\u00a0I\u2019m from the Chicago suburbs, but we spent summers in Wisconsin. The area we visited has been owned by a boating company since before my time. It\u2019s sacred land, and when we were young there was an agreement with [the company], a business agreement. We were part of a tourist attraction called the Stand Rock Indian Ceremony where they would boat people in to watch the show, traditional dances and songs. The Ceremony has been over for decades – but back then, in the daytime we could go down and swim, explore, walk around. Now they\u2019ve fenced it all off and flexed their ownership. They still do the boat tours and the souvenir shops, but we can\u2019t walk around freely anymore. There are cameras and dogs and fences and all that good stuff.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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NL<\/strong>: It sounds like the legacy of Native boarding schools has really hit home for you because of the experiences of your mother and grandmother.<\/p>

\u00a0<\/p>

JT:<\/strong>\u00a0It wasn\u2019t until they started unearthing the unmarked graves in Canada a few years ago that I realized it was one generation ago, for me. This really wasn\u2019t that long ago, at all. It was my mom, and I\u2019m a direct result of what they did [at boarding schools]. She came out of there, and they did not teach them the old ways. It\u2019s up to us now, and further generations, to start piecing back together what was destroyed or attempted to be destroyed. It\u2019s right there. It was yesterday.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Newberry's Haku Blaisdell (left) and Anal\u00fa Maria Lopez (right) greeted Jim Terry when he delivered copies of Paper Cuts prior to the opening of Indigenous Chicago.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Jim\u00a0Terry\u00a0will be joined by Camille \u201cKatahtu\u2019ntha\u201d Billie (Oneida, Din\u00e9) and Jason Wesaw (Pokagon Band of Potawatomi)\u00a0on October 10 at the Newberry for a free Public Program, “Indigenous Artists and the Archives.” The event takes place at 6pm and is available in-person and online.\u00a0Learn more and register here.<\/a>\u00a0<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t<\/path><\/svg>Prev<\/span><\/span>Previous<\/span>A Myaamia Artist’s Map of Chicago<\/span><\/span><\/a>\t\t\t<\/div>\n\t\t\t\t\t\t\t
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Terry’s new graphic novel \u201cPaper Cuts\u201d is featured in the \u201cIndigenous Chicago\u201d exhibition.<\/p>\n","protected":false},"author":1,"featured_media":1470,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-2751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"\nA Conversation with Comic Book Artist Jim Terry - Indigenous Chicago<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/test.newberry.org\/indigenous-chicago\/a-conversation-with-comic-book-artist-jim-terry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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